WE'RE NOTHING AT ALL

A bus bombing on Valentine’s Day prompts the police to recall a retired forensic expert to the scene, gradually uncovering the tragic lives behind two young passengers. As the investigation deepens, the truth points to an extreme act shaped by long-standing repression, discrimination, and social indifference. With a calm yet incisive narrative approach, the film examines the loneliness and struggles of marginalized individuals, portraying the collapse and outcry of humanity in the face of despair. Self-financed by director and producer Herman Yau, the film preserves the sharpness and intensity of its subject matter, maintaining its integrity and artistic vision.